Domada, Candela Capitán
Space: Nave Sierra
Dates:16-26 April, 2026
Performance: 23 April, 19h
DOMADA is a connective artistic installation that investigates the relationship between body, technology, and control within platform capitalism. It stems from the project GRANJAS HUMANAS, which draws a parallel between the exploitation of bodies in industrial livestock farming and in so-called “influencer farms.” The piece uses a containment sculpture, voice, and electromagnetic resonance to activate a collective sonic architecture.
Project co-funded by the European Union through DIGITAL on STAGE.
Candela Capitán. Her practice operates between dance, performance, installation, and digital intervention, investigating how hyperconnectivity regulates the body through dynamics of control, desire, self-exploitation, and hypervisibility. From a feminist perspective, she examines how feminized bodies are captured, aestheticized, and compelled to produce within hyper-mediated environments. Her work unfolds through physical scores, containment sculptures, and installations that function simultaneously in physical and digital space, developing a choreographic language that subverts movement through cancellation, pressure, or saturation—pushing the body to its limits and exploring alienation, eroticization, and the internalization of control.